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In HANNAPURZEL seen, and is then approved and participated ...
Here is my contribution to the image issues "Apple in a teacup"






Yes, it is actually an apple from the apple tree ... our son .. . But this year he wanted to somehow do not really grow (the apple of course) ...

And as I've times in the garden, I'm still the East Frisian sky and one of my sunflowers that bears witness to the rain last night, photographed ...



So that's well again ... I have in the world and still buy a lampshade ... Have purchased in a junk shop Steh-/Leselampe I have deleted Shabbyweiß (better said deleted and ground), and now has a new lampshade ago. I would have liked is one of Sweden but the next one in Oldenburg and Groningen - almost 1.5 hours drive :-(
Or did someone make one of you ... as a substitute for this one ...



It should be white and fit the foot ...



PS The clock is because of the "survey results" do ;-)
... And yes, I know you wait for the photos, and I've also been a guilty conscience .. . Let me think a good way to compensate's long wait ...

It is also something new in my flea market blog ...

North Sea Sunny greetings

Mustafa Singapore Gold

Il marchio di detective (The brand Crime) 1968 Fernando Cerchio, Nando Cicero

Content: While Inspector Milton (Andrea Bosic) the decision taken by him detective (Glenn Saxson) behind bars in Turkey believes and prepared his wedding, this has long been active again in London together with a. young accomplice, he leads a retirement home, assured the passengers on their lives, and will during the old ladies a heart attack, he gets by with his skeleton costume in the room.

He is randomly attention to a Buddha statue, which was owned by one of the deceased. In this, a plan was hidden necessary for its full three other statues. Of all Milton's inspector bride bought One of these, why crime has to use harsher methods to get hold of the other statues. But who is the mysterious person who is also behind the plan come from?

On the Origin of the continuation of Umberto Lenzis "crime " , is today little known, therefore the assessment of the external parameters remains speculative. Nevertheless arise not so much by the similarities, as well as the obvious differences between the two films, interesting insights, only on the quality of the films themselves, but also the zeitgeist in the mid 60's, the one figure as the walking in a skeleton costume detective (Glenn Saxson) - even in relation to the original comic by Max Bunker strongly attenuated version - not accepted as protagonists.

alone that after the failure of "crime" ever was a sequel is, surprisingly, quite apart from the fact that the title " Il marchio di crime "(The brand Crime) a bit like the lonely call of the desert acts, because that was not so successful - the figure of "crime" to a label like "James Bond" build. Also, the fact that Umberto Lenzi, who had designed together with the comic book author Max Bunker the screenplay for the first film, not more participated, but instead two directors of different generations - Fernando Cerchio in one of his last films, Nando Cicero ( " The Bumsköpfe " ) in his second film - it worked, shows that the original makers of the project no longer wanted to continue.

Only the main characters were in "Il marchio di crime" message, but not special without a footnote. While Glenn Saxson in the title role and Andrea Bosic as his opponent Inspector Milton were absolutely necessary at all to give a continuous nature, does the reoccupation of Helga Line as female counterparts to have agreed contracts must be fulfilled. This time she plays the flamenco dancer Mara Gitan, after her double role Trude / Inge "crime" came to an abrupt end. In the first scene where she meets "crime" and like him, laying in bed lands, he mentioned that they were alive only because his identity does not know what the face of the first part where they knew it immediately, unintentionally comic effect. Also

the beginning of the film confused in this respect, because although the message "One year later ..." a direct reference to the first part is prepared may pursue criminal undisturbed in London's shops. Known, but he was at the end of the first part has been arrested in Turkey, ultimately, a compromise to the public that. Fortunately, recorded "Il marchio di crime" that character does not, but describes the protagonists appear as a ruthless leader of a London home for the wealthy widow whose young companion life insurance under whose name completes before they are frightened, literally with his skeleton costume to death. He accidentally breaks a statue of Buddha, making a note appears, which is part of a treasure map that leads to two very valuable paintings. The thief had hidden pictures of the plan in four Buddha statues, so the hunt begins on the other three statues.

This mixture of motives of the Edgar Wallace film "The Dark Eyes of London" and Belmondo hunt for the mysterious statues in "Adventure in Rio," features the little-alone script that hardly anything in common with the comic. Nevertheless, we can convince "Il marchio di crime" as an entertainment movie, because he took a hand, the permeability of the original, on the other hand, said Glenn Saxsons slightly sleazy charm and is more a replacement James Bond longer sought.

"Il marchio di crime" is becoming the vehicle of the criminal's crime, the motives - the enrichment beyond despicable - although still not clear of it but usually much fun, what you can have even considered intention. Inspector Milton may again play the runner, but his role here has even less weight than in "crime" . Only at the very end probably had certain moral consequences are drawn on to justify this film to an audience that already in Part 1 did little to start with the protagonist, although there still both his criminal, and his sympathetic and intelligent side were stressed. This

Ambiguities were expelled him in "Il marchio di crime", so here is a man at the center, who in his ruthless nature could barely even function as a sympathetic figure. This permitted him no further sequels were - too bad.

"Il marchio di crime" Italy, Spain, 1968, Director: Fernando Cerchio, Nando Cicero, writer: Eduardo Manzanos Brochero , Actor: Glenn Saxson, Helga Line, Andrea Bosic, Frank Olivier, Ugo Sasso, Duration: 88 minutes

other films discussed in the blog of Nando Cicero :

L'tutor " (1975)

Beyblades Where To Buy In Australia

Crime (1966) Umberto Lenzi

Contents: The out While the criminal detective (Glenn Saxson) for execution, wait Inspector Milton (Andrea Bosic) and his superiors on the redemptive message. But this is different than expected, because detective escaped by a miracle, because the rope suddenly broke. That was no accident, explains Milton at once, for he himself had provided for criminal escape, because he promised only to the replacement of the English Crown, the crime had been stolen.

But this can shake off his pursuers and escape from England, sent but not without Milton inspector before the crown, in return for the rescue from the rope. For now pursuing new criminal objectives ...

Even in Italy, where the medium of comics learned much earlier cultural acceptance, than in Germany, had by Max Bunker invented comic series "Crime "major struggle with the censors. In the early phase of the "Fumetto nero" in the first half of the '60s, were the cynical and uncompromising behavior of the Protagonists, and particularly its explicit sexual acts as a provocation, what was the success with readers, however, not diminish.

Nevertheless, the early implementation of the substance was surprised in a movie, for what in the comic books was at least a limited extent, could not even be brought to the screen. Umberto Lenzis screenplay based on the comics you realize this compromise in favor of a movie compatibility according to clear, since "crime" was based more on the successful wave of James Bond films than to the original template. It starts with the skeleton - costume, the real hallmark the "crime" that is used here only rarely, and unmotivated. And certainly not to an incognito, because every time detective (Glenn Saxson) uses it, he pulls the mask off his head.

's not surprising, because the Dutch mime should convince in his first role, especially with blonde hair and nice facial features similar to its rapid success in females could be conclusively why Lenzi also not even with a characterization of the protagonist or the growth of a master criminal was staying. Instead, he starts right in with its execution, which because of its Theft of the royal crown in London to run the knitting. That he escaped, was equally consistent, but perhaps not the fact that of all his main enemy, Inspector Milton (Andrea Bosic) of Scotland Yard, was responsible. This promised to them to figure out the hiding place of the crown, some do not because, of course, crime can escape his pursuers, but he returned the favor for his recovery with the return of the crown.

This opening sequence is the film's Umberto Lenzi line before - used to elegant venues, especially in Istanbul, where most of the subsequent action takes place, fast, in their logic, not always comprehensible plot, but which - skillfully graphically - out talking to her comic character, the constant cat and mouse game between detective and the inspector that a little of the also popular at that time, "Fantomas" films recalls, and not least, many beautiful women, of which did produce mainly the German-born model Helga Line as twin sisters Inge Trude, the detective made life really difficult. In short, "crime" can always talk with a varied action and its visual benefits, but was nowhere near the success or even the popularity of the Bond or Fantomas - Movies , Come close so the film, despite the continuation "Il marchio di crime" came two years later, into oblivion.

The reason for this is calculated in the stylistic element that the film today, the 60's Zeitgeist also power, prestige value. Despite all the smoothing of the original comic template makes Lenzis film no secret that crime is a criminal who ruthlessly murdered for their own benefit. Unlike "Fantomas", and certainly not comparable to James Bond Gentlema n - role is the identification with the protagonists difficult. Even by the omission of historical background to the main character, lacks a moral differentiation of its actions. His desire to steal the jewels, is based solely on the idea of enrichment.

that he wants to remove other criminals who committed insurance fraud previously prevented that its role is not clearly negative reception, as well as the fact that he killed only people who who planned it with anything else. But with real self-defense have its acid - cleverly orchestrated attacks and killings to do anything, even if she is not Likeable take. The same is true of his love affairs, which - as in comics - always arise from a mixture of fear and fascination with women, because they do not have emotional intimacy, nor the nonchalance Bond shear love adventure.

If Lenzi did actually develop a kind of Italian Bond, the question arises as to why he of all the comic presentation of "crime" it chose. Whose intelligence and success with women, were only superficial similarities, as well as its English origin, which was implemented here not very authentic. The film shines contrast with Lenzis ability to cool production and a screenplay that his origin but can not completely deny. From today's perspective, does the design of ambivalent protagonists, not to a - still common today - keeps moral code, courageous.

"crime" Italy, Spain, 1966, Director: Umberto Lenzi , writer: Umberto Lenzi, Max Bunker (comic) , Starring: Glenn Saxson, Helga Line, Andrea Bosic, Ivano Staccioli, Maria Luisa Rispoli, Running time: 93 minutes

further discussed in the blog films Umberto Lenzi :

"Paranoia" (1970)

"L'uomo della strada fa giustizia" (1975)