Footjob movie

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How Long Does A Lumix

Jud Suss - Film Indemnity 2010 Oskar Roehler

The exception, a German film - in addition a current - will be published in this blog of mine, is located on a special feature. I had the rare opportunity to talk with the director about his film - a possibility which I hope many in the Italian films. My criticism of the film I wrote, however, before this interview, she had consciously aware of but not changed, although my assumptions were not always correct. Especially in the film "Jud Suess - film Double Indemnity" that was discussed very controversial in the media, it is striking how much critics - and I am not from me - often judging from our own point of view out. Certainly will remain so in such a way But respect for the work of the artist should also resonate forever.




Content: The Austrian actor Ferdinand Marian (Tobias Moretti) lives with his wife Anna (Martina Gedeck) and daughter in Berlin, where he is engaged in film and theater. Shortly before the premiere of "Othello" he first met propaganda minister Joseph Goebbels (Moritz Bleibtreu), who expressed great praise about his play as "Iago". Marian suspects at this time either, that the "Othello" will not be performed because there mimes his Jewish colleague, German (Heribert Sasse), the main role, still that he occupies in Goebbels plans an important role. He is the lead in its latest propaganda film about taking "Jud Suess" ...


The choice Oskar Roehler the Nazi - Nazi propaganda film "Jud Suess" it was only right, for no work of this phase has now at a comparable level of awareness. In contrast, Ferdinand Marian, who plays the title role, now obscure, even though his performance deserves much of the earnings that "Jud Suess" stood out from the mass of propaganda movies out in its most insidious, subliminal creation of Hatred against the Jews.

The film itself - even if the title suggests - is not the center of attention, but man Ferdinand Marian (Tobias Moretti). This was as an actor just beginning his career, refused at first - as previously-known colleagues - to assume the role of "Jud Suss" to them who, after Joseph Goebbels (Moritz Bleibtreu) forced him so appealing as possible create. It is from what was humanly comprehensible characterization of the main character, became the film that subtlety to bring his message to the Goebbels under the people without having to "Jud Suess" noted the same propaganda machine.

So far, at least the legend, because the exact circumstances of Marian's commitment and the realization of his role design can not be reconstructed exactly. Oskar Roehler uses these requirements to the figure "Ferdinand Marian" to be interpreted freely and even discourage it back before the change of historical facts. From the beginning, as Goebbels German after a successful dress rehearsal of Shakespeare's "Othello" but is enthusiastic about Marian's interpretation of Iago, but after that prohibits the performance and the Jewish actor of Othello, William (Heribert Sasse) coated with a prohibition, changed Roehler history, for Marian was actually the end of the 30's great success as Iago on.

It is clear that Roehler is less interested in an authentic Marian's characterization, as the stylization of a person in the conflict between compassion and seduction. To this dichotomy more elaborate, he invents Marians half-Jewish wife Anna (Martina Gedeck) and makes him the German Jewish colleagues as alleged gardener hiding in his garden shed. He increased the pressure on Marian, his wife, the perfidious intentions of the film already seen the script, which he cancels Goebbels with a theatrical gesture. But he considers this consequence by not, as Goebbels simply presents him with a fait accompli.

Roehler, confirmed this constellation or by quasi ascends with the mallet-known Nazi stereotypes. The blonde maid Britta (Anna Unterberger) with the burly SS thugs Lutz (Shia LaBeouf) on their side, the booming, inhuman camp commandant and his horny wife (Gudrun Landgrebe), which drives most like to Jews - and hovering above it all , Moritz Bleibtreu as Goebbels cartoon slimes are held by the scenes or crying, always get the big picture in mind. And any chance of bouncing Uniform and future mother will cross - recipients used to have sex - Germany, a united people of promiscuous.

Only Tobias Moretti is waning as human, the wavers between his vanity and his conscience, ambivalent in this panopticon, but what will Roehler convey that? - As a prototype of a people led astray can not apply, because that it is still too close to the real person Ferdinand Marian. Before the film "Jud Suess", the Roehler some with re-enactment, some fades with original clips, no one today must also be warned, so the word "film without a conscience" seems unnecessary. And why
operates Roehler falsifying history to fake suicide Marians, although he had two passengers in his accidental death in the car who survived, also confronted him with a satirical part Goebbelsfigur simultaneously to Tobias Moretti to demand the faithful representation of a man who breaks his inner conflicts? - "Jud Suss - film without conscience" leaves a fragmented impression, which can also miss the subtlety, the Goebbels was in "Jud Suess" so hard. Roehler's film illustrates this staging rudeness the true inner picture of a propaganda film like "Jud Suess" and remains clear despite the abandonment of several historical truths.

can be specific, there are some criticisms, but you have to certify Roehler courage, such a strong with expectations occupied topic so entertaining to implement, without trivializing them. Subliminally it also feels sympathy for an inside insecure people like Ferdinand Marian, especially in the frequently cited Zarah Leander song "The wind told me a song" from "La Habanera". There was Marian the credible performance as a man, being the first in his uncompromising approach to the classic image of the enemy, but ultimately proves to be the deepest and truest character - the opposite development "Jud Suess"


. "Jud Suss - Film without a conscience " Germany, Austria, 2010 Director: Oskar Roehler , writer: Klaus Richter, Starring: Tobias Moretti, Moritz Bleibtreu, Martina Gedeck, Justus von Dohnanyi, Heribert Sasse, Running time: 114 minutes

What Is Jeweler's Metal

Caro & Line + Addendum

Today Caroline had loaded the start of business -
and so I went to my first blind date with a very nice blogger.

Just outside the North (more precisely in the Bahnhofstr. 28) in a listed building, one finds from Today, the charming and decorated with lots of love shop "Caro & Line" with extraordinary Wohnacessoires, bags, spices, etc.

In so many blogs I've always really envious viewed the images of a store opening with gorgeous Dekosachen.
Now, Caroline here in the land of the Frisians so created an oasis, and I felt there from the beginning very well.
Also, girls: saddle up the chickens and equips Caroline a visit - and today morning from 10 to 18 clock (there is even a little culinary delicacy), otherwise di-Sat from 10 clock when the door opened. (Caroline has five children namely, which was also not to may come shortly.)
















wish you a cozy weekend


Addendum
How could you embezzle my only treasures this morning have found their way to me?
Here they are:

a lantern with lace, lavender and a baking pan with a beautiful candle


two acorns from Bauer Silver



and homemade elderflower syrup (with Prosecco or sparkling water is delicious)


As you see, is already all decorated, and the gorgeous lantern has us at their supper pleasant light brought


And where I have my digicam unpack again had to, I used as my mantel clock photographed after a long search that has found its place on our kitchen cabinet ...


(As always, the photos for better viewing by clicking on larger ...)

Letter Of Offer To Lease A Property

old clock / mantel clock


Today I removed the clock / mantel clock from my favorite thrift store, white and ground, and I really like good.
Now I wear them the whole day around the house and can not find a suitable place for her.
Maybe there's someone in love of you and gives her a new home.
you will find them in my flea market blog ...

the moment is in "real life" so much going on that I not really have time to sit vor'm PC and post - as soon as it is a little quiet, I'll listen to me again ...

Accept my all were very nice Greetings,

EDIT: having acknowledged the mantel clock me not look anymore because I had it set in the flea market blog, she has found after long search now place on our kitchen cabinet - Photo to follow. ..

Wii Does Not Recognize Ddr

Morte a Venezia sabe (Death in Venice) 1971 Luchino Visconti

Content: The ailing health, and finally failure of troubled composer Gustav von Aschenbach (Dirk Bogarde) is reached by boat to the port of Venice. From there, he is a Gondolfiere, against which it can not enforce, directly related to the Lido, where he was in the swanky Hotel des Bains "into a room. The next day when he first breakfast in the hotel occupies, he is Tadzio (Bjorn Andresen) aware of the pretty young son of a Polish woman (Silvana Mangano). In spite of it very disturbing incident and the growing desire Tadzio watch, he decides spontaneously to his departure, as he is suffering greatly from the Scirocco. When it comes to confusion with his luggage, he uses the opportunity to but to stay in Venice. In a moment of high spirits and happiness, he admits to loving Tadzio ... wrote

When Thomas Mann's novella Death in Venice ", 1911/1912, was the outbreak of World War 1 imminent, and even if guess he still could not these consequences, his work was strongly influenced by this period of upheaval. He itself was located for years in a creative crisis, which he had described in his published in 1903, autobiographical story "Tonio Kroeger". And "Death in Venice" with significant biographical traits that manifest themselves not only in the figure of Gustav von Aschenbach, in his in the amendment cited literary works, it was Mann's own work but also in the journey of the family man to Venice in 1911 and becoming familiar with the Polish boys Wladyslaw Moes, who stood for the "Tadzio" godfather.

It is less the homoerotic fantasies, for it also in Mann's earlier works, examples There, as the struggle against the desires Dyonis that raises this figure to Aschenbach. This had to be at his work always work out performance, which he not only exemplifies the discipline's own life was subjected, but for a society that in the self-will, joy or even ecstasy were regarded as despicable. "It is the good old story: Werther shot himself, but Goethe was alive," Mann writes in his essay on "Chamisso", which was parallel to the amendment 1911th The deputy death that Aschenbach had to suffer in Venice, should be a liberation for man with which he overcame his crisis.

as Luchino Visconti late 60s began to implement novel's cinematic, he was already in a late phase of his career and was significantly older than the then only 37 year old Thomas is a man And still ideal time for the making of this film hard to imagine, for the post-war society was in a similar turning point as the end of the Wilhelmine era. Visconti did not commit the mistake of many literary adaptations, and these again to maneuver in the context of their time back, but felt the relationship to the current development and used only under the man's story to bring into being from a personally embossed work that went far beyond his usual visual language beyond.

proved as clever move it is also, let Gustav von Aschenbach (Dirk Bogarde) to become a composer, because then he took on a detail that was crucial also for this figure in Thomas Mann's sense. Aschenbach is no coincidence the same age as the composer Gustav Mahler, and with his first name, because man had just before he began his novel, experienced the death of whom he admired composer in Vienna. Mahler's music is also an example of the artistic development of this phase, because it is one hand, nor the tradition, as in their harmonies but already clear to the modern age, why Visconti is separate intensive use of his music no more of his film. She is always in the moments where Gustav is taken from Aschenbach by his emotions, such as the arrival in Venice, especially when looking at the boy Tadzio, resulting in a complete symbiosis between image and empathy is achieved, his inner conflict symbolizes.

"Death in Venice" is in particular was a Visconti film, and Luchino Visconti no Gustav von Aschenbach. This is reflected firstly in the back story to this figure, the designed by Visconti was free, and gives him the opportunity to hold a discourse on art. In persona of Alfred (Mark Burns), he criticized Aschenbach as a traitor to his own ideas of art. On the other Visconti had long been a practicing homosexual, he lives out in "Death in Venice" in beautiful images with which he stages as Tadzio consummate ideal of the Gustav von Aschenbach. The great end young men, the quiet of still images with which he viewed the then 16 year old Bjorn Andresen silhouette, and not least the detailed look at his face, and only imagine the height between desire and reality. Solo Dirk Bogarde expression is sufficient to formulate its internal struggles, his brief moments of frantic joy, his fears, his anti-social behavior to the inability of the contact, - "Death in Venice" is very eloquent, without using many words.

Unlike Thomas Mann, can Visconti Aschenbach not die on behalf of himself, but for a principle of war, after the was only of value, which was developed with performance and discipline. Man Aschenbach and his wishes is also his sympathy, even as he, in the spirit's increasingly reveals the absurdity, when he painted with colored hair, like an old rooster runs after the young Tadzio. In this form of humiliation lies the freedom to do no longer adapt, as he him in the experience of death, a moment of supreme happiness gift - no matter how real it might be.

In that moment, Thomas Mann and Luchino Visconti very close.

"Morte a Venezia Italy 1971 Director: Luchino Visconti , writer: Luchino Visconti , Thomas Mann (novel) , Actors: Dirk Bogarde , Marc Burns, Björn Andresen, Silvana Mangano, Romolo Valli, Running time: 130 minutes

- further discussed in the blog films of Luchino Visconti :

"Ossessione" (1942)

"Boccaccio '70" (1962)

"Il Gattopardo" (1963)

"Vaghe put dell'Orsa" (1965)

"Lo Straniero" (1967)

Swisher High Different From Zigzag High

Mia moglie, un corpo per l'amore (My wife, a body for love) 1973 Mario Imperoli

Content : Paolo (Silvano Tranquilli) is for 5 years with the much younger Simona (Antonella Murgia) happily married, but the successful businessman fears growing that she might one day be unfaithful. To maintain control, he is Marco Santi (Peter Lee Lawrence) in his company, and can meet him by chance on his wife.

This is also seen again, for they were once again engaged. Marco advertises back to them, but they are those times have passed. But Paolo ensures that the two take a trip alone on his boat. After prolonged wallpapering Although she succumbs to the efforts of her former friend, but will not have a relationship with him. But they still do not know that this Paolo's plan only had its beginnings ...

swept As in the early 70s the porn wave in the cinema, the makers gave more often embed the trouble, the explicit representation of sex in a reasonably coherent story. Particularly popular was the subject of nymphomaniac in order to justify changing interactions with male partners - leaving out of account the fact that this is a serious mental illness.

The title "Mia moglie, un corpo per l'amore" (My wife, a body for love) is preparing the theme of the film before been sent, because such a body, it would be almost a sin that only one person to send. Now it is at Mario Imperolis film but not a porn, but a mixture of eroticism and Giallo, which is why limited actress Antonella Murgia Simona largely as a revealer of her breasts. However, these are presented in long insertions and multiple fervently kneaded, wherein the proximity to the erotic film is clear.

For here, does the story - especially in the midsection of the film - as a guide to the line up the amorous adventures of the protagonist has, yet an interesting psychological version. Obviously, had the lovely Simona an eventful life before the wealthy businessman Paolo (Silvano Tranquilli) five years ago was married to him at this stage, but always faithful. That the much older Paolo has a problem, even the first scene makes clear when his water-skiing woman to fall by a sudden gas is. A brief moment of hatred could be seen in his face before he again took up in his boat.

When he topped that the smart Marco (Peter Lee Lawrence) sets his company, you can see not his motives, but no later than when that turned out to be ex-wife and his fiancé Paolo in a prearranged trip to third, sudden can not be there. Said Marco and Simona spend an entire day alone on Paolo's yacht - Paolo with the desired result, at least if you look at his smug face with which he receives the pair on their return to the pier. Simon had long adorned, but then it was came to sex - and the beginning ever-increasing sexual adventures.

From today's perspective, the middle part of the movie is less interesting because its long-Soft-Sex Advertisement bored sooner than they bring new aspects to the topic. Only the moral vision of the 70's will is clear, because while Simona the lesbian advances of her photographer (Sonia Burton), for which it stands model refuses, she has no problems a threesome with a dark-skinned male model join, which is in contrast to the other actions but only hinted at.

The film exclusively male, voyeuristic point of view is told, can there not be surprised, but "Mia moglie, un corpo per l'amore" also has a subversive context that is especially last third rail strikes. After Paul had driven his wife to ever new sexual adventures, their lust for sex a self-runner who will be his desire for control will be a farce. Thus, the film becoming a parable about power and the price which the individual is willing to pay for - this is the title but have a clear answer as to what really matters - "Un corpo per l'amore".

"Mia moglie, un corpo per l'amore" Italy 1973, Director: Mario Imperoli , ; writer: Mario Imperoli, Starring: Silvano Tranquilli, Antonella Murgia, Peter Lee Lawrence, Michele Placido, Sonia Burton, Runtime: 82 minutes

How To Clean Yourself Afterpooping?

Out of order

After today, for some inexplicable reasons the Internet was, it now seems to function again.

The decision regarding the greenhouses fell. The
get a house Antje / vintagetraeume and Yvonne / girl love .
you to contact us or at me, then I can give you my bank account and you tell me your addresses.
All other interested parties please do not be angry - I would have indulged in every one of you.
And if I see one again, I should certainly think of you and first of all then Uta (no blog). Uta
love because you were the third, I have even considered to give you my house but I just can not part with it - hope you understand this ..

Today it's raining on us almost all day.
I've considered, therefore, show you the pictures of my convertible ride with my brother in August after Greetsiel. Perhaps you can
her gray out there forget a little ...


Oh ... that was schööön! But in early October, my Mum's birthday and then brother makes again a few days off here in the land of the Frisians - Froi!
If any of you near Euskirchen lives and happy times as a ride in the BMW Z4 want to do - contact me ...

Then I want to tell you my treasures from the last visit in Favorite junk shop shows - it has really paid off again: white-gray porcelain by Rosenthal, a coffee pot with a grandfather clock from Holland, an old tin can (for my clothes peg), a vintage shell and ...


... these two paddles - they will, of course, white and hot (photos to follow) then welcome guests vor'm house

And if I tell you what I paid for everything, would you not believe me anyway. ..

other day of art class brought my son with this man pretty box.
"Mom, you wanted to throw away the ! "
What have I but for an attentive child - I'm sooo happy that he has thought of me

course it is already cleaned, painted and polished but I'm probably not a photo of it! made. I show you the next time the mail is always already become so long.

let it go you good